Pitchrate | Traditional v. Self-Publish—TLDR Version

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RobRoy McCandless

RobRoy McCandless was born under a wandering star that led to a degree in Communication and English with a focus on creative writing. He’s the author of the urban fantasy TEARS OF HEAVEN winner of the 2014 Best Science Fiction and Fantasy Preditors & Editors Reader’s Poll and a 2015 EPIC eBook ...

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11/20/2015 01:54pm
Traditional v. Self-Publish—TLDR Version

So, you wanna be an author? Alright, here the first thing you do. Open your front door, place your hand on the
jam and then slam it six or seven times.
That’s the kind of pain you’re about to embark on, only every day, every
rejection, every missed opportunity, every hour spent writing and not with your
friends.



Advice I Never Got, R.A. McCandless


Still with me? Groovy.
Now let’s talk some publishing—traditional versus self-publishing.

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Presidential Flash Cards!

There are literally a ga-jillion (I did the
math) articles out there already discussing this topic at great length and ingreat depth.


For the TL;DR version, here’s
where you should start:


Money, Money, Money

Yog’s Law tells us that money
should always flow toward the author.
That’s a great rule of thumb when applied to the traditional publishing machine. You should never, ever, never
pay a publisher to publish. That’s not your job. That’s theirs. If they do their job, everyone (theoretically)
makes money.


It may not be much, but it’s money.

Self-publishing, however, is a different animal. Yog's Law does not immediately apply, and here's why.

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Writing ain't like dusting crops!

Publishing Ain’t Easy, Kid

If you're doing it right, then it's a TON of work and effort. Like any art form that is worth buying, you have to know what you're doing, craft a solid product, ready it for market, and then get it in front of the right people at the right price.

If you're self-publishing, you take on the burden of all that yourself. You'll need to find a good, solid, reputable editor who can help you whip your brilliance into shining glory. You'll need a copy-editor who can give your work a good scrub for grammar and spelling. You'll have to get the work ready for publishing then push it out to
the retail stores. You'll have to pay the cover artist for the artwork. Seriously, pay a cover artist—unless you’re aiming to make a “worst” list.


A traditional publisher should make most of that easy—or at least easier. That is they should

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Confused yet?


provide editors who help polish your story and clean up the typos and grammar. You should get a strong graphic artist who can provide a solid, viable, marketable and story specific cover. Your publisher should also do some marketing as well. You’ll still be expected to do most of the heavy lifting, but a good publisher should point you in the right direction to market. For doing all that, they take a cut of your sales.


Decision Time

There is no right or wrong answer for which direction to go. There is a right and wrong way to go about it. Cutting out editors or graphic artists or marketing properly and across media are all perfectly acceptable if writing is just a hobby. If you want to be a professional author, what you should consider is the time, effort and potential cost v. benefit that you will have to put into traditional publishing
OR self-publishing to make your decision.

Keywords

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